2/28/2024 0 Comments Quicksand krystal“When Were We Colored?: Blacks, Asians and Racial Discourse.” Blacks and Asians: Crossings, Conflict and Commonality. Special Issue on K-pop and K-drama Fandoms, Journal of Fan Studies, 2014. “That’s My Man!: Overlapping Masculinities in Korean Popular Music.” The Korean Wave: Korean Popular Culture in Global Context. “HallyU.S.A: America’s Impact on The Korean Wave.” The Global Impact of South Korean Popular Culture. “Urban Geishas: Reading Race and Gender in iROZEALb’s Paintings.” Traveling Texts and the Work of Afro-Japanese Cultural Production: Two Haiku and a Microphone. New York: New York University Press, 2016. Tasha Oren, Shilpa Dave and Leilani Nishime. “Hybrid Hallyu: The African American Music Tradition in K-pop.” Global Asian American Popular Culture. “Chinatown Black Tigers: Black Masculinity and Chinese Heroism in Frank Chin’s Gunga Din Highway.” Ethnic Studies Review 26.1 (2003): 67-86. “Racial Discourse and Black-Japanese Dynamics in Ishmael Reed’s Japanese by Spring.” MELUS 29. “ ‘The Girl Isn’t White’: New Racial Dimensions in Octavia Butler’s Survivor.” Extrapolation 47.1 (2006): 35-50. “These-Are-the ‘Breaks’: A Roundtable Discussion on Teaching the Post-Soul Aesthetic.” African American Review 41.4 (2007): 787-804. “The Afro-Asiatic Floating World: Post-Soul Implications of the Art of iona rozeal brown.” African American Review 41.4 (2007): 655-666. Jackson: University of Mississippi Press, 2013. Jackson: University of Mississippi Press, 2020.īeyond ‘The Chinese Connection’: Contemporary Afro-Asian Cultural Production. Soul in Seoul: Black Popular Music and K-pop. Develops and implements research training programs for student research assistants. Digital humanities project that curates global Korean popular music (K-pop) through digital exhibits on music, choreography and creative personnel using Omeka. Collaborative information database that aggregates and curates information about Hallyu-era K-pop artist and groups using Omeka. A veteran blogger on Asian popular culture, she is also a former associate chief editor for hellokpop. She also manages several digital humanities projects, including KPK: Kpop Kollective, the oldest and only public scholarship site on K-pop for academics and fans. She has published articles on Afro-Asian cultural studies in several journals including African American Review, MELUS, Ethnic Studies Review and Extrapolation as well as book chapters on masculinity in K-pop and Afro-Japanese representation in art. Her 2013 book, Beyond the Chinese Connection: Contemporary Afro-Asian Cultural Production, uses the films of Bruce Lee to interpret cross-cultural dynamics in post-1990 novels, films and anime. Her 2020 book, Soul in Seoul: African American Music and K-pop, explores the impact of African American popular music on contemporary Korean pop, R&B and hip-hop and the role of global fans as the music press. Anderson (PhD) works within the fields of Transnational American Studies, Black Internationalism and Global Asias, focusing on cultural studies, including popular culture, media studies, visual culture, audience reception and literature. You can read the complete series as individual books or in order as a series.Media studies, popular culture, popular music, visual culture, literature and audience and fan receptionĬrystal S. Plus much, much more! This book is an Anthology and collection of the best stories submitted by real adventuresses from around the globe. Here’s some of what you’ll find in this book. This heartwarming book is full of inspirational stories written by a variety of authors whose learned firsthand what it’s like to overcome a variety of challenges while on the trail. And you’ll conquer hardship after hardship while your young toddlers accompany your horseback adventures across South America. You’ll discover the wild’s of the “bush” while traveling with packhorses and a rifle across New Zealand. In this book you will find out what it’s like to move to another country and fall in love with a horse abroad. Scooby’s rope tightened in my grip as I flew over the wobbly sand while he plummeted straight down underground… Quicksand.” Travel to India, Iceland, Italy, South America, New Zealand and more as you embark on countless adventures in the saddle. Winner of the Equus Film Festival Literary Award.
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